High stylistic quality and use of literary devices. The text stands out for its expressiveness, originality, and artistic complexity. Clichés and stylistic errors, if present, are minimal.
High level of lexical diversity.
Good structural diversity. The text combines various sentence types, adding dynamism.
A very high level of coherence. The text demonstrates clear logic and consistency of ideas.
Perfect dialogues. Every line sounds natural, emotional, and smooth, with an excellent balance of structural variety and conversational elements.
The text has a harmonious combination of simple and complex sentences.
Good level of tonal balance. The text combines emotional elements with neutral parts effectively.
Perfect rhythm. The text demonstrates an ideal balance between short and long sentences, maintaining smooth and natural narrative flow.
The text is extremely simple, with minimal complexity. Suitable for young children or people with limited reading skills.
Very high level of genre conformity. The text almost completely meets genre expectations, with its structure and style fitting perfectly within genre boundaries.
High stylistic quality and use of literary devices. The text stands out for its expressiveness, originality, and artistic complexity. Clichés and stylistic errors, if present, are minimal.
The author skillfully uses figures of speech, with high-quality applications. The text is filled with diverse devices, each of which is relevant and adds artistic expressiveness. The frequency of figures of speech is above average, and their contextual relevance is generally high.
1.71%
Metaphors
An average level of metaphors.
Time is a thief that steals our moments.
Her words were a knife cutting through the silence.
His mind was a maze, full of twisted paths and dead ends.
Then the rope tightened mercilessly, while Buck struggled in a fury, his tongue lolling out of his mouth and his great chest panting futilely.
He opened his eyes, and into them came the unbridled anger of a kidnapped king.
0.81%
Personification
The level of personification is at the lower limit of the norm.
The wind whispered through the trees.
The hoarse shriek of a locomotive whistling a crossing told him where he was.
the joyful bark that trembled in Buck’s throat was twisted into a savage growl.
Buck divined, the next tormentor, and he hurled himself savagely against the bars.
The man smiled grimly, and brought a hatchet and a club.
0.18%
Similes
The level of similes is at the lower limit of the norm.
All the pain he had endured was as nothing compared with the exquisite agony of this.
With a roar that was almost lionlike in its ferocity.
3.8%
Epithets
An optimal balance of epithets.
4.55%
Cliche
A very low level of clichés. The text mostly uses original expressions, adding expressiveness and originality to the narrative.
There were great stables, where a dozen grooms and boys held forth, rows of vine_clad servants' cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches.
On the other hand, there were the fox terriers, a score of them at least, who yelped fearful promises at Toots and Ysabel looking out of the windows at them and protected by a legion of housemaids armed with brooms and mops.
He plunged into the swimming tank or went hunting with the Judge's sons; he escorted Mollie and Alice, the Judge's daughters, on long twilight or early morning rambles; on wintry nights he lay at the Judge's feet before the roaring library fire; he carried the Judge's grandsons on his back, or rolled them in the grass, and guarded their footsteps through wild adventures down to the fountain in the stable yard, and even beyond, where the paddocks were, and the berry patches.
That had given them an unfair advantage; but now that it was off, he would show them.
Buck rushed at the splintering wood, sinking his teeth into it, surging and wrestling with it.
18.83%
Passive voice
Minimal use of passive voice.
4.04%
Bureaucratic language
The text is almost completely free from bureaucratic language.
During the four years since his puppyhood he had lived the life of a sated aristocrat; he had a fine pride in himself, was even a trifle egotistical, as country gentlemen sometimes become because of their insular situation.
The next he knew, he was dimly aware that his tongue was hurting and that he was being jolted along in some kind of a conveyance.
They only laughed and poked sticks at him, which he promptly assailed with his teeth till he realized that that was what they wanted.
It was all very silly, he knew; but therefore the more outrage to his dignity, and his anger waxed and waxed.
he said, when he had made an opening sufficient for the passage of Buck's body.
0%
Pleonasms
The text is almost completely free from pleonasms.
The text is well-balanced. Capital letters and punctuation are used appropriately and do not distract the reader.
High level of lexical diversity.
Good structural diversity. The text combines various sentence types, adding dynamism.
A very high level of coherence. The text demonstrates clear logic and consistency of ideas.
10%
Percentage of polysemous sentences
The text contains almost no ambiguity. This indicates that the ideas and expressions in the text are clear and understandable, without any vagueness or phrases that are difficult to interpret.
88
Idea consistency
The text demonstrates a high level of consistency, where each idea naturally follows the previous one.
85.6
Semantic distance
The text exhibits excellent coherence between ideas. Transitions between concepts are logical and smooth.
90
Sentence coherence
All sentences are excellently connected. The logic of transitions between them is clear and consistent.
85
Thematic coherence
A high level of thematic coherence. Ideas smoothly transition into one another, supporting the main theme without significant deviations.
90
Lexical homogeneity
High lexical homogeneity. The text strictly adheres to a single style, using consistent and repetitive vocabulary. This may lend the text structure but potentially reduce its diversity.
85
Paragraph coherence
Paragraphs are excellently connected. Transitions between them are natural and logical, creating a cohesive impression of the text.
90
Structural integrity
The text has a clear and well-thought-out structure. Ideas develop logically, and transitions between parts are natural and maintain textual coherence.
90
Temporal consistency
Temporal transitions in the text are natural and sequential. Events and ideas develop in a logical temporal order without significant disruptions.
95
Grammatical consistency
The text has perfect grammatical consistency, reflecting the complete absence of grammatical errors. The text is entirely correct and well-structured, making it easy to read and understand.
85
Speech style consistency
The speech style in the text remains almost unchanged. The text is consistently held in one tone, making it cohesive and easy to follow.
80
Transitions between parts
Transitions between different parts of the text are smooth and logical. They help the text remain cohesive and unified.
Syntactic cohesion in literary prose refers to the measure of interconnection between sentences at the level of grammatical and syntactic dependencies, reflecting the degree of textual unity. In the context of literary fiction, it indicates the fluidity of the narrative, showing how one sentence logically or intuitively flows from another. This effect is achieved through the repetition of syntactic structures, the use of linking words, pronouns, parallel constructions, and other elements that ensure textual coherence at a formal level.
Perfect dialogues. Every line sounds natural, emotional, and smooth, with an excellent balance of structural variety and conversational elements.
Overall
16%
An average level of diversity in characters’ speech. Dialogues use various sentence types in moderation, making them relatively dynamic and lively, though further diversity could enhance them.
The dynamics are slightly below average. Alternation in line length is present but insufficient for fully lively dialogues.
The dialogues have noticeable emotional intensity, but without excessive dramatization.
90
The lines are smoothly and naturally connected, with characters interacting logically and naturally.
0.15%
An optimal amount of conversational phrases.
0.1%
Almost no excessive content.
The text has a harmonious combination of simple and complex sentences.
Good level of tonal balance. The text combines emotional elements with neutral parts effectively.
The text predominantly contains dark tones, aligning perfectly with the genre’s requirements.
Emotions are expressed to an optimal degree, helping to convey the mood and atmosphere while maintaining natural narration.
Emotions are strongly expressed, enhancing the atmosphere and mood without overloading the text or losing its natural flow.
0%
Almost no use of intensifiers.
0.01%
An optimal amount of exclamation marks.
The text is entirely free of redundant content. Each sentence is meaningful, delivering exclusively useful and targeted information.
1.41%
dog, men, dogs, life, came, went, hand, club, saw, man
3.6%
not alone for himself, great demesne, right royal fashion, merely a stroll, quiet dignity
0.79%
so, then, next, well, finally
Perfect rhythm. The text demonstrates an ideal balance between short and long sentences, maintaining smooth and natural narrative flow.
!
0.01%
?
0.03%
:
0.01%
;
0.12%
,
1.46%
-
0.15%
–
0%
—
0.03%
24
Sentence Alternation
Optimal alternation of short and long sentences. The text feels dynamic and varied.
29
Paragraph Alternation
A good balance of alternating paragraph lengths. The text appears structured and lively.
85
Flesch index
A very simple text, suitable for children or individuals with minimal reading skills.
Very high level of genre conformity. The text almost completely meets genre expectations, with its structure and style fitting perfectly within genre boundaries.