High stylistic quality and use of literary devices. The text stands out for its expressiveness, originality, and artistic complexity. Clichés and stylistic errors, if present, are minimal.
Very high level of lexical diversity. The text demonstrates an extensive vocabulary.
Satisfactory structural diversity. The text shows a balance between different types of sentences, but further improvement could enhance its expressiveness and dynamism.
A very high level of coherence. The text demonstrates clear logic and consistency of ideas.
Perfect dialogues. Every line sounds natural, emotional, and smooth, with an excellent balance of structural variety and conversational elements.
The text has a harmonious combination of simple and complex sentences.
Perfect tonality. The text demonstrates an ideal balance between emotional richness and neutral parts.
Perfect rhythm. The text demonstrates an ideal balance between short and long sentences, maintaining smooth and natural narrative flow.
The text is extremely simple, with minimal complexity. Suitable for young children or people with limited reading skills.
Very high level of genre conformity. The text almost completely meets genre expectations, with its structure and style fitting perfectly within genre boundaries.
High stylistic quality and use of literary devices. The text stands out for its expressiveness, originality, and artistic complexity. Clichés and stylistic errors, if present, are minimal.
The author skillfully uses figures of speech, with high-quality applications. The text is filled with diverse devices, each of which is relevant and adds artistic expressiveness. The frequency of figures of speech is above average, and their contextual relevance is generally high.
1.01%
Metaphors
An average level of metaphors.
Time is a thief that steals our moments.
Her words were a knife cutting through the silence.
His mind was a maze, full of twisted paths and dead ends.
He felt much as an astronomer feels who has discovered a new planet—no doubt, as far as strong, deep, unalloyed pleasure is concerned, the advantage was with the boy, not the astronomer.
He had a citified air about him that ate into Tom’s vitals.
1.23%
Personification
An average level of personification.
The switch hovered in the air—the peril was desperate—
The old lady whirled round, and snatched her skirts out of danger.
But old fools is the biggest fools there is.
the summer evenings were long
a new and powerful interest bore them down and drove them out of his mind for the time
0.43%
Similes
An optimal balance of similes.
you’re a kind of a singed cat, as the saying is—better’n you look.
much as an astronomer feels who has discovered a new planet
gripped together like cats
ran like an antelope
the very thought of it burnt him like fire.
2.6%
Epithets
An optimal balance of epithets.
6.17%
Cliche
A very low level of clichés. The text mostly uses original expressions, adding expressiveness and originality to the narrative.
His aunt Polly stood surprised a moment, and then broke into a gentle laugh. pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again
Spare the rod and spile the child, as the Good Book says.
But I bet you
Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men's misfortunes are forgotten in the excitement of new enterprises.
If one moved, the other moved—but only sidewise, in a circle; they kept face to face and eye to eye all the time.
3.2%
Passive voice
Minimal use of passive voice.
0.62%
Bureaucratic language
The text is almost completely free from bureaucratic language.
She went to the open door and stood in it and looked out among the tomato vines and weeds that constituted the garden.
0.62%
Pleonasms
The text is almost completely free from pleonasms.
So she lifted up her voice at an angle calculated for distance and shouted:
The text is well-balanced. Capital letters and punctuation are used appropriately and do not distract the reader.
TOM
CHAPTER
Very high level of lexical diversity. The text demonstrates an extensive vocabulary.
Satisfactory structural diversity. The text shows a balance between different types of sentences, but further improvement could enhance its expressiveness and dynamism.
A very high level of coherence. The text demonstrates clear logic and consistency of ideas.
10%
Percentage of polysemous sentences
The text contains almost no ambiguity. This indicates that the ideas and expressions in the text are clear and understandable, without any vagueness or phrases that are difficult to interpret.
88
Idea consistency
The text demonstrates a high level of consistency, where each idea naturally follows the previous one.
85.6
Semantic distance
The text exhibits excellent coherence between ideas. Transitions between concepts are logical and smooth.
90
Sentence coherence
All sentences are excellently connected. The logic of transitions between them is clear and consistent.
85
Thematic coherence
A high level of thematic coherence. Ideas smoothly transition into one another, supporting the main theme without significant deviations.
90
Lexical homogeneity
High lexical homogeneity. The text strictly adheres to a single style, using consistent and repetitive vocabulary. This may lend the text structure but potentially reduce its diversity.
85
Paragraph coherence
Paragraphs are excellently connected. Transitions between them are natural and logical, creating a cohesive impression of the text.
90
Structural integrity
The text has a clear and well-thought-out structure. Ideas develop logically, and transitions between parts are natural and maintain textual coherence.
90
Temporal consistency
Temporal transitions in the text are natural and sequential. Events and ideas develop in a logical temporal order without significant disruptions.
85
Grammatical consistency
The text contains almost no errors. The grammatical structure is consistent, with only occasional minor slips.
95
Speech style consistency
Perfect speech style consistency, reflecting a completely unified style throughout the text. Every element aligns with the chosen style, creating a highly cohesive and unified work.
80
Transitions between parts
Transitions between different parts of the text are smooth and logical. They help the text remain cohesive and unified.
Syntactic cohesion in literary prose refers to the measure of interconnection between sentences at the level of grammatical and syntactic dependencies, reflecting the degree of textual unity. In the context of literary fiction, it indicates the fluidity of the narrative, showing how one sentence logically or intuitively flows from another. This effect is achieved through the repetition of syntactic structures, the use of linking words, pronouns, parallel constructions, and other elements that ensure textual coherence at a formal level.
Perfect dialogues. Every line sounds natural, emotional, and smooth, with an excellent balance of structural variety and conversational elements.
Overall
52%
An average level of diversity in characters’ speech. Dialogues use various sentence types in moderation, making them relatively dynamic and lively, though further diversity could enhance them.
Moderate dynamics. The dialogues appear even but not entirely static.
The emotional intensity is slightly below average. Emotions are partially expressed, but the dialogues may feel somewhat dry or unnatural.
90
The lines are smoothly and naturally connected, with characters interacting logically and naturally.
0.6%
The dialogues contain a reasonable amount of conversational expressions, making them natural and accessible.
0.1%
Almost no excessive content.
The text has a harmonious combination of simple and complex sentences.
Perfect tonality. The text demonstrates an ideal balance between emotional richness and neutral parts.
The text predominantly contains dark tones, aligning perfectly with the genre’s requirements.
Moderate text temperature. Emotions are present but expressed without excessive dramatization.
Moderate emotional intensity. The text is rich in emotional undertones but remains clear and easy to comprehend.
0%
Almost no use of intensifiers.
0.35%
Intensive but balanced use of exclamation marks.
The text is entirely free of redundant content. Each sentence is meaningful, delivering exclusively useful and targeted information.
2.8%
boy, old, heart, said, time, went, look, know, let, hand
3%
'I wonder', 'about the room', 'for so small a thing as a boy', 'as the saying is', 'as the Scripture says'
1.58%
well, so, then, next, maybe
Perfect rhythm. The text demonstrates an ideal balance between short and long sentences, maintaining smooth and natural narrative flow.
!
0.35%
?
0.15%
:
0.13%
;
0.06%
,
1.24%
-
0.36%
–
0%
—
0.28%
36
Sentence Alternation
Moderate alternation of sentences creates a smooth rhythm, helping to maintain the narrative’s dynamism.
26
Paragraph Alternation
Optimal alternation of paragraph lengths, which gives the text a good rhythm and makes the narrative smoother and more engaging.
97
Flesch index
The text is extremely simple to comprehend, suitable for children or individuals with a beginner level of reading.
Very high level of genre conformity. The text almost completely meets genre expectations, with its structure and style fitting perfectly within genre boundaries.