About

  • Title: The Adventures of Tom Sawyer
  • Author(s): Mark Twain
  • Genre: Children's literature
  • Language: en
  • Size: 5839 words
90
High stylistic quality. The text appears well-thought-out, expressive, and enriched with unique stylistic choices. Very high lexical diversity. The text demonstrates a broad vocabulary. A medium level of structural diversity. Various sentence types are used, but there is potential to enhance dynamics and expressiveness. Dialogue and narration are well-balanced, making the text dynamic and expressive. Perfectly crafted dialogue: natural, lively, and dynamic. The text contains a harmonious combination of simple and complex sentences. The text is entirely free of redundant elements, with each sentence carrying meaningful content. Perfect tonal balance, where emotional intensity is appropriately used without overwhelming the text. Perfect rhythm, supporting a smooth and natural narrative flow. Text demonstrates excellent readability and exemplary rhythm. Very high genre conformity, fully meeting genre expectations.

Basic scores

  • Stylistic Devices
    85
  • Lexical Diversity
    86
  • Structural Diversity
    70
  • Dialogues Quality
    100
  • Sentences Complexity
    90
  • Text Tonality
    97
  • Redundant content
    97
  • Rhythm and Tempo
    97
  • Readability
    95
  • Genre Conformity
    94

Full text analysis

8.64%

Cliche

The text contains only a few clichés.

Examples
She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for not service—she could have seen through a pair of stove_lids just as well.
His aunt Polly stood surprised a moment, and then broke into a gentle laugh. pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again
Spare the rod and spile the child, as the Good Book says.
It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and I've got to do some of my duty by him, or I'll be the ruination of the child.”
But I bet you
Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men's misfortunes are forgotten in the excitement of new enterprises.
If one moved, the other moved—but only sidewise, in a circle; they kept face to face and eye to eye all the time.
If one moved, the other moved—but only sidewise, in a circle; they kept face to face and eye to eye all the time.
Tom said: So they stood, each with a foot placed at an angle as a brace, and both shoving with might and main, and glowering at each other with hate.
The new boy stepped over promptly, and said: The new boy took two broad coppers out of his pocket and held them out with derision.
There was cheer in every face and a spring in every step.
He surveyed the fence, and all gladness left him and a deep melancholy settled down upon his spirit.
He was boat and captain and engine_bells combined, so he had to imagine himself standing on his own hurricane_deck giving the orders and executing them: The headway ran almost out, and he drew up slowly toward the sidewalk.
Tom went on whitewashing—paid no attention to the steamboat.
Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticised the effect again—Ben watching every move and getting more and more interested, more and more absorbed.
Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticised the effect again—Ben watching every move and getting more and more interested, more and more absorbed.

24.69%

Idioms

The text is almost completely free of idioms.

Examples
The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them.
The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them.
She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with.
She went to the open door and stood in it and looked out among the tomato vines and weeds that constituted the garden.
She went to the open door and stood in it and looked out among the tomato vines and weeds that constituted the garden.
There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight. a' thought of that closet.
His aunt Polly stood surprised a moment, and then broke into a gentle laugh. pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again
His aunt Polly stood surprised a moment, and then broke into a gentle laugh. pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's all down again
I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows.
I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows.
I'm a laying up sin and suffering for us both, I know.
He got back home barely in season to help Jim, the small colored boy, saw next_day's wood and split the kindlings before supper—at least he was there in time to tell his adventures to Jim while Jim did three_fourths of the work.
He got back home barely in season to help Jim, the small colored boy, saw next_day's wood and split the kindlings before supper—at least he was there in time to tell his adventures to Jim while Jim did three_fourths of the work.
He got back home barely in season to help Jim, the small colored boy, saw next_day's wood and split the kindlings before supper—at least he was there in time to tell his adventures to Jim while Jim did three_fourths of the work.
The old lady reached out her hand and felt Tom's shirt, and said: And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind.
The old lady reached out her hand and felt Tom's shirt, and said: And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind.
But in spite of her, Tom knew where the wind lay, now.
I'd made sure you'd played hookey and been a_swimming.
Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men's misfortunes are forgotten in the excitement of new enterprises.
Not because his troubles were one whit less heavy and bitter to him than a man's are to a man, but because a new and powerful interest bore them down and drove them out of his mind for the time—just as men's misfortunes are forgotten in the excitement of new enterprises.
It consisted in a peculiar bird_like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music—the reader probably remembers how to do it, if he has ever been a boy.
It consisted in a peculiar bird_like turn, a sort of liquid warble, produced by touching the tongue to the roof of the mouth at short intervals in the midst of the music—the reader probably remembers how to do it, if he has ever been a boy.
Diligence and attention soon gave him the knack of it, and he strode down the street with his mouth full of harmony and his soul full of gratitude.
If one moved, the other moved—but only sidewise, in a circle; they kept face to face and eye to eye all the time.
any of your business, maybe.” low I'll make it my business.”
Presently they were shoulder to shoulder.
But neither could get an advantage.
Tom drew a line in the dust with his big toe, and said:
The new boy stepped over promptly, and said: The new boy took two broad coppers out of his pocket and held them out with derision.
The new boy stepped over promptly, and said: The new boy took two broad coppers out of his pocket and held them out with derision.
At last the stranger got out a smothered Nuff!” and Tom let him up and said:
At last the stranger got out a smothered Nuff!” and Tom let him up and said:
The new boy went off brushing the dust from his clothes, sobbing, snuffling, and occasionally looking back and shaking his head and threatening what he would do to Tom the To which Tom responded with jeers, and started off in high feather, and as soon as his back was turned the new boy snatched up a stone, threw it and hit him between the shoulders and then turned tail and ran like an antelope.
He then held a position at the gate for some time, daring the enemy to come outside, but the enemy only made faces at him through the window and declined.
At last the enemy's mother appeared, and called Tom a bad, vicious, vulgar child, and ordered him away.
There was cheer in every face and a spring in every step.
Tom appeared on the sidewalk with a bucket of whitewash and a long_handled brush.
Jim came skipping out at the gate with a tin pail, and singing Buffalo Gals.
And he remembered that although the pump was only a hundred and fifty yards off, Jim never got back with a bucket of water under an hour—and even then somebody generally had to go after him.
Jim shook his head and said: long an' ’tend to my own business—she ’lowed she'd ’tend to de whitewashin'.”
Jim shook his head and said: long an' ’tend to my own business—she ’lowed she'd ’tend to de whitewashin'.”
Jim shook his head and said: long an' ’tend to my own business—she ’lowed she'd ’tend to de whitewashin'.”
Deed she would.” em over the head with her thimble—and who cares for that, I'd like to know.
Deed she would.” em over the head with her thimble—and who cares for that, I'd like to know.
Jim was only human—this attraction was too much for him.
He put down his pail, took the white alley, and bent over the toe with absorbing interest while the bandage was being unwound.
He put down his pail, took the white alley, and bent over the toe with absorbing interest while the bandage was being unwound.
He put down his pail, took the white alley, and bent over the toe with absorbing interest while the bandage was being unwound.
In another moment he was flying down the street with his pail and a tingling rear, Tom was whitewashing with vigor, and Aunt Polly was retiring from the field with a slipper in her hand and triumph in her eye.
In another moment he was flying down the street with his pail and a tingling rear, Tom was whitewashing with vigor, and Aunt Polly was retiring from the field with a slipper in her hand and triumph in her eye.
In another moment he was flying down the street with his pail and a tingling rear, Tom was whitewashing with vigor, and Aunt Polly was retiring from the field with a slipper in her hand and triumph in her eye.
He began to think of the fun he had planned for this day, and his sorrows multiplied.
Soon the free boys would come tripping along on all sorts of delicious expeditions, and they would make a world of fun of him for having to work—the very thought of it burnt him like fire.
Soon the free boys would come tripping along on all sorts of delicious expeditions, and they would make a world of fun of him for having to work—the very thought of it burnt him like fire.
So he returned his straitened means to his pocket, and gave up the idea of trying to buy the boys.
Ben Rogers hove in sight presently—the very boy, of all boys, whose ridicule he had been dreading.
As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance—for he was personating the Big Missouri, and considered himself to be drawing nine feet of water.
As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance—for he was personating the Big Missouri, and considered himself to be drawing nine feet of water.
He was boat and captain and engine_bells combined, so he had to imagine himself standing on his own hurricane_deck giving the orders and executing them: The headway ran almost out, and he drew up slowly toward the sidewalk.
He was boat and captain and engine_bells combined, so he had to imagine himself standing on his own hurricane_deck giving the orders and executing them: The headway ran almost out, and he drew up slowly toward the sidewalk.
Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticised the effect again—Ben watching every move and getting more and more interested, more and more absorbed.
Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticised the effect again—Ben watching every move and getting more and more interested, more and more absorbed.

3.2%

Passive voice

Very low use of passive voice.

0.62%

Bureaucratic language

The text is almost completely free of bureaucratic expressions.

Examples
She went to the open door and stood in it and looked out among the tomato vines and weeds that constituted the garden.

0.62%

Pleonasms

The text is almost completely free of pleonasms.

Examples
So she lifted up her voice at an angle calculated for distance and shouted:
Purple Prose Detector
Adjective-to-Noun Ratio
0.16
Adverb-to-Verb Ratio
0.18
Noun-to-Verb Ratio
1.34
Descriptive Ratio
0.15
Total Adverb Density
0.34
Total Adjective Density
0.27

8.6%

Descriptive Elements

The text contains minimal excessive descriptions.

0.07

Descriptive Frequency Index

Descriptive Frequency Index - a measure reflecting the ratio of adjectives, adverbs, and participles to all other parts of speech in the text.

0.96

Average Descriptive Element Per Sentence

Average number of descriptive elements per sentence - indicates the average number of adjectives, adverbs, and participles per sentence. A high value suggests a richly descriptive style, while a low value implies conciseness and restraint.

0.16%

Long Descriptions

Long descriptions. This criterion evaluates the presence of consecutive descriptive elements (adjectives, adverbs, and participles) in the text.

Examples
small colored
dark mysterious
new powerful
strong deep unalloyed
close-buttoned blue
bad vicious vulgar
insignificant whitewashed
mighty gay
dark hopeless
great magnificent
long melodious
describing stately

0.16%

Intensifiers

Intensifiers are words that enhance the meaning of adjectives, adverbs, or verbs (e.g., very, extremely, absolutely). A high number of intensifiers may indicate emotional intensity or excessive expressiveness in the text.

Examples
very: 6 times
Examples
CHAPTER
TOM
HD-D
0.87
MTLD
71.8
Simpson Index
0.01
MATTR
0.87
Diversity Index
0.65
Interpolations
14.53%
Clause percentage
4.77%

Clause Diversity and Frequency

Average subclause per sentence
0.72
Subclause percentage
41.69%
Max Clauses Depth
3
Object Clauses
60.76%
Purpose Clauses
0%
Relative Clauses
10.55%
Temporal Clauses
1.27%
Adverbial Clauses
27%
Complement Clauses
0.42%
Concessive Clauses
0.42%
Paratactic Clauses
1.27%
Conditional Clauses
4.64%

Diversity of Sentence Structures

Simple
49.71%
Complex
25.58%
Compound
8.72%
Complex-Compound
15.99%
Unconjunct Compound
0%
Modal
12.79%
Passive
3.2%
Adverbial
0%
Imperative
0%
Exclamatory
18.9%
Participial
20.93%
Interrogative
8.43%
Adverbial Clauses
7.56%

Overall

52%

Dialogue is well-integrated into the text.

Structural diversity

Average Sentence Length
9.36
Average Diversity
55.56
Diversity Coefficient
33
Complex Sentences
34.08%

Smoothness of the rhythm

Coefficient of alternation of replica lengths
39.89
Average Length Difference
5.56
Standard Deviation
5.16

0%

Excessive Adverbs in Authorial Insertions

Authorial insertions are almost entirely free of adverbs.

Average Sentence Length
11.62
Average Complexity Percentage
0.07%
Subclause Percentage
41.69%
Depth of Subclauses
3
Avg Subclauses per Sentence
0.72
Total Simple Sentences
0.93%
Total Complex Sentences
0.07%
Total Overload Sentences
0%
50.58%
14%
35.42%

Text temperature

0.35%

Exclamation marks

Intensive but balanced use of exclamation marks.

2.8%

Most repeated words

boy, old, heart, said, time, went, look, know, let, hand

1.64%

Unnecessary transition words

well, so, then, next, maybe

0%

Superfluous Details
Rhythm Index
0.83
Diversity Index
1.2
Alternation Index
0.34
Punctuation Density
1.47%

!

0.35%

?

0.15%

:

0.13%

;

0.06%

,

1.24%

-

0.36%

0%

0.28%

36

Sentence Alternation

Moderate alternation in sentence length.

Median Sentence Length
8
Mean Sentence Length
11.62
Standard Deviation
10.55
Average Difference
8.68
Short Ratio
0.58
Medium Ratio
0.27
Long Ratio
0.15

26

Paragraph Alternation

Variation in paragraph length supports text rhythm.

Avgerage Length
2.32
Standard Deviation
2.58
Short Ratio
0.83
Long Ratio
0.02
Average Difference
1.78

97

Flesch index

Flesch Index - a readability metric based on sentence length and the number of syllables per word.

An extremely simple text, designed for beginner-level readers (e.g., children’s books, basic instructions).

Total words
3691
Total sentences
344
Total syllables
4338
Average sentence length in words
10.73
Average number of syllables per word
1.18
Language style
98
Dialogues' concentration
69
Rhythm
97
Redundant content
98
Tonality
100